{"id":17007,"date":"2025-10-26T15:39:17","date_gmt":"2025-10-26T13:39:17","guid":{"rendered":"https:\/\/vinylka.md\/?post_type=product&p=17007"},"modified":"2025-10-26T15:39:18","modified_gmt":"2025-10-26T13:39:18","slug":"diana-krall-the-girl-in-the-other-room","status":"publish","type":"product","link":"https:\/\/old.vinylka.md\/en\/product\/diana-krall-the-girl-in-the-other-room\/","title":{"rendered":"Diana Krall – The Girl In The Other Room"},"content":{"rendered":"

Diana Krall – The Girl In The Other Room<\/h2>\n

Vinilul Diana Krall<\/a> \u2013 The Girl in the Other Room este o edi\u021bie dubl\u0103 (2\u00d7LP) presat\u0103 pe vinil de 180 g, care aduce pe format analogic unul dintre cele mai personale \u0219i rafinate albume ale artistei.<\/p>\n

Albumul marcheaz\u0103 o schimbare \u00een cariera lui Krall: este primul \u00een care include compozi\u021bii proprii (\u00een colaborare cu so\u021bul ei, Elvis Costello), al\u0103turi de reinterpret\u0103ri sofisticate ale unor piese semnate de arti\u0219ti precum Tom Waits, Bonnie Raitt \u0219i Joni Mitchell.
\nPe vinyl<\/a>, aceste contraste \u2014 \u00eentre c\u00e2ntece originale \u0219i coveruri, \u00eentre momente introspective \u0219i pasaje mai orchestrate \u2014 sunt puse \u00een valoare: vocea lui Krall se simte mai aproape, pianul \u0219i acompaniamentul respir\u0103, iar nuan\u021bele timbrale se simt mai palpabile. Presarea de 180 g adaug\u0103 greutate \u0219i stabilitate sunetului, oferind o experien\u021b\u0103 auditiv\u0103 mai cald\u0103 \u0219i mai detaliat\u0103 dec\u00e2t multe versiuni digitale.<\/p>\n

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Tracklist<\/h2>\n<\/header>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
A1<\/span><\/td>\nStop This World<\/span><\/span><\/td>\n3:59<\/span><\/td>\n<\/tr>\n
A2<\/span><\/td>\nThe Girl In The Other Room<\/span><\/span><\/td>\n4:05<\/span><\/td>\n<\/tr>\n
A3<\/span><\/td>\nTemptation<\/span><\/span><\/td>\n4:28<\/span><\/td>\n<\/tr>\n
B4<\/span><\/td>\nAlmost Blue<\/span><\/span><\/td>\n4:04<\/span><\/td>\n<\/tr>\n
B5<\/span><\/td>\nI’ve Changed My Address<\/span><\/span><\/td>\n4:47<\/span><\/td>\n<\/tr>\n
B6<\/span><\/td>\nLove Me Like A Man<\/span><\/span><\/td>\n5:49<\/span><\/td>\n<\/tr>\n
C7<\/span><\/td>\nI’m Pulling Through<\/span><\/span><\/td>\n4:03<\/span><\/td>\n<\/tr>\n
C8<\/span><\/td>\nBlack Crow<\/span><\/span><\/td>\n4:48<\/span><\/td>\n<\/tr>\n
C9<\/span><\/td>\nNarrow Daylight<\/span><\/span><\/td>\n3:32<\/span><\/td>\n<\/tr>\n
D10<\/span><\/td>\nAbandoned Masquerade<\/span><\/span><\/td>\n5:11<\/span><\/td>\n<\/tr>\n
D11<\/span><\/td>\nI’m Coming Through<\/span><\/span><\/td>\n5:07<\/span><\/td>\n<\/tr>\n
D12<\/span><\/td>\nDeparture Bay<\/span><\/span><\/td>\n5:40<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/section>\n